Tom and Anna Wright, a young American couple, fall into severe debt while renovating Anna’s family home in London. As the couple faces the loss of their dream to have a house and start a family, they discover that the tenant in the apartment below them is dead, and he’s left behind a stash of cash—$400,000 worth. Though initially hesitant, Tom and Anna decide that the plan is simple: all they have to do is quietly take the money and use only what’s necessary to get them out of debt. But when they start spending the money and can’t seem to stop, they find themselves the target of a deadly adversary—the thief who stole it—and that’s when very bad things start happening to good people.

The life and work of Robert Frank—as a photographer and a filmmaker—are so intertwined that they’re one in the same, and the vast amount of territory he’s covered, from The Americans in 1958 up to the present, is intimately registered in his now-formidable body of artistic gestures. From the early ’90s on, Frank has been making his films and videos with the brilliant editor Laura Israel, who has helped him to keep things homemade and preserve the illuminating spark of first contact between camera and people/places. Don’t Blink is Israel’s like-minded portrait of her friend and collaborator, a lively rummage sale of images and sounds and recollected passages and unfathomable losses and friendships that leaves us a fast and fleeting imprint of the life of the Swiss-born man who reinvented himself the American way, and is still standing on ground of his own making at the age of 90.

Coming & Going is an irreverent romantic comedy that poses the question: How far would you go to capture the heart of the one you love? Lee (Rhys Darby) is a young, skilled OBGYN who lacks confidence when it comes to talking to women outside his successful medical practice. A minor injury temporarily lands him in a wheelchair and it is at that precise time that he meets his dream girl Alex (Sasha Alexander). Convinced she’s only paid attention to him because he’s in that chair, he stays in it to win her affections well after his injury has healed. Coming & Going is about love and the extreme things people do for it.

Where do I come from? For some, the question has a simple answer — for others, the truth can be much more complicated. With the rise in popularity of at-home DNA tests, it’s now easier than ever for people to uncover their family history and, sometimes, things their parents wish would stay buried. Interested in learning more about his family heritage, director Jon Baime took an at-home DNA test and uncovered a family secret that has been hidden for half a century. Featuring in-depth interviews with Jon’s siblings as well as a treasure trove of family photos and films spanning 70 years, FILLING IN THE BLANKS takes audiences on a journey as Jon explores the meaning behind his discovery and expands on what it means to be family.

Iqbal and his mother have a special talent for seeing things that others cannot. Together with his father, who doesn’t share their sight, they work as exorcists until one day his mother meets a tragic end, saving Iqbal from an attack by a particularly malevolent spirit. With his mother gone, Iqbal’s father attempts to end the family’s suffering by binding his son’s abilities by using a mystic, but it only half works. When Iqbal and his friends inadvertently unleash a very nasty spirit in a fit of adolescent abandon, he learns that his abilities aren’t completely gone… but are they strong enough to save the people he loves from a fate worse than death?

Three men have been friends since childhood. To win a prize they steal something from a girl. The girl is not what she seems. Things go downhill for the friends. On a weekend get away secrets are revealed and people end up dead.

A close examination of the Whakaari / White Island volcanic eruption of 2019 in which 22 lives were lost, the film viscerally recounts a day when ordinary people were called upon to do extraordinary things, placing this tragic event within the larger context of nature, resilience, and the power of our shared humanity.

A historic drama with musical Bollywood scenes. Kabul in the early 90s. Soviet values rule the country. Women can wear miniskirts, children can go to school and people can go to the cinema, concerts as well as universities. Life in Afghanistan is similar to life in the Western world. 14 years old Qodrat sells cinema tickets on the black market in the streets of Kabul. After selling a ticket to a secret police officer by mistake, he ends up at the Soviet orphanage, where he fakes his identity at the registration, in hope of getting more power. Everyday life for Qodrat is about friendships, falling in love, doing naughty things and going on adventures – just like it is for children in other parts of the world. However, behind the safe walls of the orphanage the world they once knew is drastically changing as the Mujahideens start the civil war.

Anthony Lo is a killer for hire who grows weary of the game. But he knows he can’t put down his guns until he finds out who killed the woman he loved, fellow assassin Malice. All he has to go on is the code name Ghost and that they kill other killers. Marc Sullivan reaches out to him. Someone is killing his people and he believes it’s Ghost. Here’s his chance to get his revenge. However, in this line of work things are never what they seem and he’s soon caught in a web of deadly betrayals. Will Anthony avenge Malice? Or join her in death?

Professional snowboarder and mountaineer Jeremy Jones has an intimate relationship with the outdoors. It’s his escape, his identity, and his legacy. But over the course of his 45 years in the mountains, he’s seen many things change: more extreme weather, fewer snow days, and economic strain on mountain towns. Motivated by an urge to protect the places he loves, Jeremy sets out on a physical and philosophical journey to find common ground with fellow outdoor people across diverse political backgrounds. He learns their hopes and fears while walking a mile in their shoes on the mountain and in the snow. With intimacy and emotion set against breathtaking backdrops, Purple Mountains navigates America’s divide with a refreshing perspective: even though we may disagree about climate policy, our shared values can unite us

When a down on his luck detective moves into what appears to be a haunted house with his niece their lives will change forever. Their creepy landlord displays abusive behavior that might prove the bad things people say about him are true.

Yoshito grew up with his mother Yasue after his father passed away. His mother ran a yakiniku (grilled meat) restaurant that his father had left behind. Yoshito enjoyed eating his mother’s cooking and their restaurant was loved by many people. Things changed after popular food critic Furuyama Tatsuya published false statements about their yakiniku restaurant. Due to that, their restaurant saw a sharp drop in customers. Yasue worked hard to recover business for the restaurant. Due to Yoshito’s behavior in wanting attention from his mom, Yasue decided to shut down the restaurant. 18 years later, Yoshito lives alone and he works as a freelance writer. One day, he takes work for a new online foodie website. He works with editor Takenaka Shizuka. Their first assignment involves yakiniku. Around that time, Yoshito hears that his estranged mother Yasue has collapsed.

Tony Towers is a successful nightclub manager in 1985, a local celebrity and engaged to a much younger woman, Sue. But when he embarks upon the 3:17 to Nottingham for a Christmas family reunion, things get a little strange. Tony discovers that by moving up and down this fateful train, he can transport himself forward and backward to various stages of his life. Not only that, but the actions he takes in one carriage directly affect his life in the next. The question is, can Tony change his life – and the lives of the people he loves – for the better, or will he just make things worse?

The young Bruce Lee (Ho Tsung-Tao AKA Bruce Li) has studied the philosophy and art of kung fu since boyhood, but his girlfriend says that he lives in a world of his own and all he thinks of is fighting. She begs him to change his ways, yet after a humiliating defeat Bruce vows that it will never happen again, and while witnessing street thugs preying on innocent people, he is driven to defend them. Things appear to be no better when Bruce comes to the United States to begin teaching, and is under constant attack by rival martial artists, but all the while his unorthodox style is beginning to catch on. Finally he becomes an international sensation as a movie star with a wife, kids, money, and everything he’s always wanted – who then must fight for both his life and his reputation back home in Hong Kong.

On the night of October 30, 2012, several people were attacked and murdered within their homes. The shocking events of that night were documented on two video cameras. During a mellow pre-Halloween night of drinks, pranks and old horror films, Amy and Jake film a last minute schedule video for their school’s annual Halloween fundraiser, but they are quickly interrupted by a strange group of trick or treaters, also equipped with a video camera. What Amy and Jake think is a prank by their friends, they ignore the strange interruption and continue with their night. As strange things continue to occur and escalate to an extreme level, the students quickly discover that they are dealing with dark individuals, and they don’t want candy. Experience the terrifying night in the perspectives of Amy, Jake and The Trick or Treaters.

Malcom’s done with his life. Only the noise of Crystal Meth gives him a reason to keep going – everything else it has long regardless. Equipped with a bag full of weapons and self-made bombs, he makes his way to the nearby mall to really stir things up. On his personal war campaign, he not only changes his life radically, but also the fate of other people who are in the wrong place at the same time: a teenager whose favorite pastime is smoking pot in his dreary existence, a housewife, where their best days have been left behind, a greedy businessman whose only desire is to increase his wealth and a depressed pervert.

Angela Bennett is a freelance software engineer who lives in a world of computer technology. When a cyber friend asks Bennett to debug a new game, she inadvertently becomes involved in a conspiracy that will soon turn her life upside down. While on vacation in Mexico, her purse is stolen. She soon finds that people and events may not be what they seem as she becomes the target of an assassination. Her vacation is ruined. She gets a new passport at the U.S. Embassy in Mexico but it has the wrong name, Ruth Marx. When she returns to the U.S. to sort things out, she discovers that Ruth Marx has an unsavory past and a lengthy police record. To make matters worse, another person has assumed her real identity …

There are places you go, where the things you do will matter to a lot of people. Then there are places you will go, where the things you will do matter only to a very few. But to those few, they will matter – a lot.

Following in the footsteps of her late fiancée, who drowned under mysterious circumstances, Rebecca (played by Katie Savoy) and her film crew are in China making a documentary about the Chinese Ghost Festival. There, she learns of a story about a concubine Chan Ju Chi who is violently murdered and thrown into a well by the head concubine Ping Wei (Played by JuJu Chan) within the secret grounds of a palace. Legend has it that the Chan Ju Chi has risen to become a “jiangshi”, killing innocent people in the hope of taking over their bodies. Things take a turn when a worker is attacked in a decrepit well within an old palace. Rebecca tries to piece together the mystery behind the legend as one by one the people she knows are gruesomely murdered.

Siblings Monroe (Monroe Mann) and Hilary (Crystal Arnette) have discovered that they have inherited a lake house and to make things even better, the famous horror author Stephen King is rumoured to live somewhere nearby. They decide to take their friends down to the lake house to check things out, only to find immediate resistance from all of the locals, who insist that King doesn’t live in the area. Despite being completely unwelcome, they decide to stay and soon find that people are being killed one by one in a manner similar to several deaths in various Stephen King stories.

Diz (Joel Courtney) is a reckless teenage drifter living life on the run. Abandoned by his parents as a child, he looks out for himself and doesn’t accept handouts. He takes whatever he wants and runs. Jaded and determined to answer to no one, Diz lives a life marked by thievery and abandonment. Things change for Diz when he floats into a small town on the Snake River. There he is confronted by an unflappable old man named Marty and falls for Marty’s guarded granddaughter, Selah. When Diz robs a local drug-dealing crazy, he becomes the owner of a giant pile of cash and the target of two vicious killers. With more money than he knows what to do with, and criminals at his heels, Diz puts the people he’s learned to care about in danger, still trying to win Selah. But some things can’t be stolen or bought. The River Thief is a film about guilt, self-sacrifice, and accepting life as a gift.

Several people disappear from and at the sea. Their bodies are found gnawed to the skeleton, even the marrow is missing. The scientists have no idea which animal could do such things. Dr. Turner begins to suspect that the company which builds a tunnel beneath the bay might have poisoned the environment and caused an octopus to mutate to giant dimensions…

Ali Senay and Ilber, the two partners of Senay Cüccaciye, sell garden dwarfs. When their company starts to dwindle, they decide to participate in a gardening fair in Sofia with the plan to meet new people from the sector in an attempt to drum up new business. Things don’t go as planned as they find themselves crossing paths with the wrong people hell bent on causing world chaos.

A gang of young people call themselves the Living Dead. They terrorize the population from their small town. After an agreement with the devil, if they kill themselves firmly believing in it, they will survive and gain eternal life. Following their leader, they commit suicide one after the other, but things don’t necessarily turn out as expected…

The “@midnight” host makes things very funcomfortable for the packed house at The Palace of Fine Arts in San Francisco as he explores awkward and sometimes super creepy memories from both childhood and today. With “the energy of SpongeBob dipped in cocaine water,” Hardwick delves into dealing with anxieties, finds the humor in joining the “Dead Dad Club,” and shares deeply personal anecdotes that most people would be too embarrassed to say out loud.

On a peaceful October day a college team and their coaches depart on a three day journey to a national championship. From the start strange things happen on their creaky, rented bus. Just after midnight on the third day, they hit something on the road. For the next six hours in the dead of night thirteen people face their ultimate terror. Trapped and isolated they must recruit all their strength and courage and find every available resource to destroy these mysterious predators. What do they want? Who do they want? It’s a fight for survival In the Still of the Night.

The Come Up is about a young comedian as a young man who struggles to try to make it but the terrible streets kind of get him caught up. He’s got a few homeboys that he hangs with that try to get him to do all the wrong things with them but he tries his best not to engage with the activities that’s surrounding him. He get caught on the street doing a lil drugs at one time, get caught up in a robbery with his homeboys, get caught stealing and his momma puts him out the house. But he’s got this girl on his side that keeps in straight and in order. And this is how he makes it. Meanwhile he’s doing comedy shows at the clubs and people are laughing at him and not his jokes. He finally makes it as a comedian one day.

Cameramen and women discuss the craft and art of cinematography and of the “DP” (the director of photography), illustrating their points with clips from 100 films, from Birth of a Nation to Do the Right Thing. Themes: the DP tells people where to look; changes in movies (the arrival of sound, color, and wide screens) required creative responses from DPs; and, these artisans constantly invent new equipment and try new things, with wonderful results. The narration takes us through the identifiable studio styles of the 30s, the emergence of noir, the New York look, and the impact of Europeans. Citizen Kane, The Conformist, and Gordon Willis get special attention.

A young, single pastor needs a date for a church dinner, so he hires his neighbor next door, who works as a prostitute, to accompany him. As she becomes more entangled in his life, her demands become more outrageous. Now he must navigate a moral minefield as he uses the unholy alliance to advance his ministry career. And things get more complicated when he starts to fall in love with her. A comedy about people who desperately want to convert each other.

Soon after Ji-won gets a new cell phone, her friend’s young daughter, Yeong-ju, puts it to her ear and immediately begins screaming in terror. When other strange things start happening in connection with the phone, Ji-Won does some investigating and discovers that of the people before her who had the same number, almost all of them died suddenly under unusual circumstances. As Yeong-ju’s behavior becomes increasingly alarming, Ji-won digs deeper into the circumstances surrounding the disappearance of the number’s first owner, a high school girl named Jin-hie.

Rasmus is a commissioning editor prepared to go to lengths to keep people happy – which is just what he has to do, because Rasmus has a problem. He can’t say no. To his ex-girlfriend who wants a baby or his new girlfriend, who wants things clear cut, or his author pal, who wants to write for a limited audience, or his new boss, who wants to publish sex guides.

TURNER STULL(Barlow Jacobs), an uninspired young man, trying to figure out what he wants to do with his life, arrives in hurricane-ravaged New Orleans to work as an insurance claims adjuster. Greeted by his UNCLE STULLY(Robert Longstreet) a seasoned claim adjuster, and an ambitious group of adjusters, he is quickly immersed into the routine: move fast, don’t get emotionally involved, and make a lot of money. But Turner, not prepared to deal with people who have lost everything, is totally overwhelmed. Turner’s lack of experience and uncertainty only makes things worse. In a moment of crisis, Turner agrees to help NIXON(Eddie Rouse), a local man, find his lost dog. In exchange for Turner helping look for the lost dog, Nixon lends a hand with Turner’s insurance claim’s. Turner and Nixon begin to navigate their way through the storm-ravaged city, a journey that will change Turner’s life.

Friends since high school, 20-somethings Kaleil Isaza Tuzman and Tom Herman have an idea: a Web site for people to conduct business with municipal governments. This documentary tracks the rise and fall of govWorks.com from May of 1999 to December of 2000, and the trials the business brings to the relationship of these best friends. Kaleil raises the money, Tom’s the technical chief. A third partner wants a buy out; girlfriends come and go; Tom’s daughter needs attention. And always the need for cash and for improving the site. Venture capital comes in by the millions. Kaleil is on C-SPAN, CNN, and magazine covers. Will the business or the friendship crash first?

Landfill is a documentary that emerged from the perception of a paradox in relation to litter. While most people want to get rid of it, I met some ladies, pioneers of recycling, that they miss the trash from others in side of the house. From the time where I met up making the film, many things happened, both in the media, with all the newly fallacious discourse of sustainability, and in my personal relationship with the trash, when I became the ‘householder. ‘ This is a film of these seven women, who are truly experts.

We have all made mistakes. Little white lies that blow up in our face, being selfish to a loved one, or just drinking too much the night before. Its all the same, eventually you wish you had a chance to do it over. People say they can’t change the past, but what would you say if you were given the chance to make things right? That is the question presented to a young waitress as she travels back in time, not just once, but three times, to save her older sister from being murdered. TIME AGAIN takes the audience on a wild sci-fi adventure into the notorious criminal underworld. After a young waitress receives strange coins for a tip, she inadvertently becomes embroiled in an underworld battle with a notorious criminal that leads to her death. With the help of a mysterious old lady, the waitress’s younger sister goes back in time to save her from being murdered.

Bedrooms tells a story about the walls that separate people, the heartbreak and infidelity that’s often the result and the redemption that comes from tearing those walls down. The film is told in 4 stories by 3 filmmakers. Three of the stories deal with married couples of various ages confronting the turning points of their relationships. A fourth story is interwoven throughout, providing bookends and context in the form of a story about ten year old twins, who, tired of sharing their bedroom set out to build a wall between their beds to create their own spaces. In building the wall to separate, they come to fully appreciate all things that connect them. Bedrooms explores human relationships, their myriad complications and the daily choice we face to either make them work or to move on.

Buenos Aires, 1971. Carlitos is a seventeen-year-old with movie star swagger, blond curls and a baby face. As a young boy, he coveted other people’s things, but it wasn’t until his early adolescence that his true calling—to be a thief—manifested itself. When he meets Ramon at his new school, Carlitos is immediately drawn to him and starts showing off to get his attention. Together they will embark on a journey of discovery, love and crime.

A group of friends decide to do a ritual to contact the spirit world, but things go bad and a spirit actually appears. One by one the group of friends die, one of them who is not affected by the spirit tries to uncover the truth behind the ghost. He is joined by his sister and a friend who is familiar with the occult. They soon find out that the ghost targets people from a certain village where 66 people died long ago. They desperately try to find a solution to appease the spirit.

Marty (Alfred Molina) is a down-and-out jazz musician with colorful dreams of making it big, but right now he’s living on the edge and making small money by giving music lessons to people who don’t seem to want them. His sometimes girlfriend, Sheila (Maggie O’Neill), is a barmaid at the Rose of Sharon, a local pub owned by the hot-tempered Frank (Seymour Cassel). One day Sheila takes an old rocking chair out of the pub’s storage and gives it to Marty; he then discovers that the chair is haunted by two ghosts, a middle-aged woman named Lilly (Marianne Faithfull) and a precocious little girl named Ruthie (Rachel Bella). Ruthie seems to be from the turn of the century, but Lilly is contemporary. These easygoing souls appear to Marty and enliven his life with non-threatening pranks, but things turn serious when Marty discovers Lilly was Frank’s wife, who killed her in a fit of rage. With the help of the mortal, the ghosts plan revenge.

The first feature film from accomplished short filmmaker Kate Shenton, On Tender Hooks is a documentary film delving into the world of human suspension and the people involved. Kate spends a year following a different people and group of suspenders. Every Sunday they pierce themselves with hooks and hang in mid-air from rigs in a display that challenges the perceptions and squeamishness of even the most hardened. The film is a fly on the wall documentary showing how the ordinary human body can achieve extraordinary things. Beginning with groups in London, and then following events in Rico, Croatia and Oslo, Norway, the film depicts a wide variety of experience and opinions, and delves thoughtfully into a deeply misunderstood practice On Tender Hooks was a self-funded project filmed and edited by director Kate Shenton. Completed in 2012 it is an example of independent film-making at its purest.